Campbell's London

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Madonna & Child

Madonna & Child is a homage to mothers, whose identity as a woman can sometimes be erased or overshadowed by motherhood. It expresses motherhood at its most primitive level, feeding her child in a natural way. This piece is a play on the famous original piece “Madonna and Child” by Duccio di Buoninsegna, reinterpreted to be represented by the modern black mother.


Lunchtime focuses on highlighting a mother, during her sacred bond with her child. Since the identity of a woman can often be overshadowed by motherhood, this piece focuses more on the mother and the bond, rather than the child.


She who, is graceful and stylish in appearance and manner.


The capability to feel or perceive. The awareness of one’s own existence


Radiating rays or reflecting beams of light. Vividly bright, shinning and glowing. Marked by or expressive of love, confidence and happiness.

Drunken Totems

Inspired by the native North American artefacts from the British Museum, these totem poles caricature drunken creatures expressing both human emotions and those of drunkenness. Each character shown within these totem poles are experiments into attempting to further exaggerate the feeling of being drunk and merry.

Drinking Pints

Inspired by his frustrated years of bartending, Thomas Moore created this pair of intricate drawings, which contrast the class divide in British drinking.
From working in rowdy and grimy pubs to posh and extravagant gin bars, Thomas naturally brought his experiences serving alcohol to the public into his work to create these dark humoured pieces of social commentary; from a pint and a packet of crisps to martinis with oysters.